Press

Carmen
The Metropolitan Opera, Oct 2025

“Kristina Mkhitaryan as Micaëla was the highlight of the night! She was “saving grace” personified. Her voice was pure and rich at the same time. Her upper register soared into the Met hall and her dynamics made one sit at the edge of their seat waiting to hear what she would do next. Mkhitaryan’s acting came across as natural and her Micaëla in this distorted plot created clarity and a moral compass. Mkhitaryan represented humanity and all the qualities that make up the complexities of being human. Her initial entrance on stage is something I want to see again. She is immediately accosted by a patrol guard and instead of giving into fear, she resists and stands up straight in her knowing that the treatment she is receiving and will receive from entities such as this is wrong and illegal. Mkhitaryan stood tall in the face of her character’s severe circumstances and in every moment, she made her role about standing up for humanity. Yes, the plot describes her delivering messages from Don José’s mother to him and holding pure love for Don José from their childhood, but what Mkhitaryan does is different. She embodies the innocence that is being tormented and stripped of its rights in modern day. She puts the spotlight, in her own way, on what this production’s singular message is all about–empathy cultivates humanity, while apathy destroys all. Her pure heart held all of humanity in this production. She made it so much more.
Her most famous aria, “Je dis que rien m’epouvante,” received a long and well-deserved applause. The audience stood in ovation for her at the curtain call”
OperaWire 31 October 2025
“Her return was received with enthusiasm. Mkhitaryan impressed the audience with her beautiful and even tone, a musical and noble vocal line, and a sincere, warm stage presence. Her connection with Fabiano was one of the keys to the evening and led to moments of great musical excellence.”
Opera World 02 November 2025

La Traviata
Las Palmas de Gran Canaria, May 2025

“Kristina Mkhitaryan, the true winner of the evening, masterfully dominated the stage, displaying refined technique, stylistic flair, and great musicality.”
Opera Actual 23 May 2025

Maria Padilla
Teatro de la Maestranza, May 2025

“The Russian soprano showed off her skills, a broad, well-pitched sound with a well-armed center and percussive sounds.”
Codalario 05 May 2025
“The voice cast couldn’t have asked for more; Maria, played by Russian soprano Kristina Mkhitaryan, not only possessed a powerful stage presence, but also possessed the voice of a true diva, capable of overcoming the most demanding agility and with a dramatic, lyrical, and fleshy quality, very much in keeping with her character. “
Scherzo 05 May 2025
“Kristina Mkhitaryan leads the list for giving her all to revive Maria Padilla with a beautiful voice, capable of covering a very wide vocal range.”
ABC 03 May 2025
“She possesses a fleshy and attractively colored center, while rising naturally and soaring into the high notes with timbre and projection, even when attacking them pianissimo or delicately rowing them. Her terrifying downward leap in his final scene was perfectly sustained. In addition, her singing is passionate and theatrical , imbuing the character and each situation with the appropriate nuances and inflections, even in the recitatives with orchestra. Her duets with Inés, Ruiz, and Pedro were the highlights of the evening.”
Diario de Sevilla 02 May 2025

La boheme
The Metropolitan Opera, Mar 2025

“Her soprano made a fine pairing with Calleja, her darker color set against the shine of his…In the latter duets she sang with an easy power and the fullness of her sound throughout her range was marvelous.”
New York Classical Review 06 March 2025
His beau, Mimì, was sung here by Russian soprano Kristina Mkhitaryan. She possesses an instrument of some beauty, capable of gorgeous, soft, sweet, caressing lines and explosive escalations of voluminous color. Her “Si. Mi chiamano Mimì” was enchanting and her interactions with Rodolfo were convincing at all times. Her Act one duet was superb. Her “Donde lieta usci,” her farewell lament to Rodolfo was most evocative and deserving of far greater applause than it received and her final act was most moving where she managed to imbue her utterances with exquisiteness, yet almost tangible frailty.
OperaWire 12 March 2025

Eugene Onegin
Teatro Real Madrid, Jan 2025

“Kristina Mkhitaryan ‘s instrument is ideal for creating, as she did yesterday, a textbook Tatiana. She was impeccable in her letter scene, there was no note that she could not handle, and her way of handling the text and phrasing could not have been more convincing. Warm and equal throughout the range, her tone is pleasant and her delivery is easy and relaxed, without tension. Mkhitaryan creates a credible character, the emotional centre of the performance and with whom one can empathise at all times.”
Platea Magazine 23 January 2025
“Kristina Mkhitaryan sang a dazzling scene from the letter, with a warm voice, fantastically well enunciated, with beautiful changes of colour.”
Opera Actual 23 January 2025
“Kristina Mkhitaryan, a powerful voice with a beautiful timbre and unexpected low notes, seems to be an ideal soprano for this role.”
Scherzo 23 January 2025
“Mkhitaryan’s expressive soprano and emotive acting bring depth to Tatiana’s character, making her internal struggles palpable. Her performance is so compelling that one might consider renaming the opera “Tatiana Larina” to reflect her central role. A standout moment is the letter-writing scene, which captures the audience’s heart; as Tatiana composes her fateful love letter, the applause that followed in the Teatro Real de Madrid was both spontaneous and prolonged—a testament to the scene’s emotional resonance and her great performance.”
OperaWire 07 February 2025

Manon
Wiener Staatsoper Nov 2024

“In a whisper, this voice impresses with its delicacy and in a forte with a peppery intensity and slim contour. In addition, the fact that Mkhitaryan alternates between a vamp and a cute little sweetheart further enhances her suitability for Manon.”
Der Standard 15 November 2024
“A powerfully luminous soprano with a slightly darkened middle range and treble. She expertly shapes the transformation of the naive, life-hungry girl into a sophisticated courtesan. Her fight for her lover Des Grieux in the church of Saint-Sulpice impresses, touching arrest, misery, death.”
Kronen Zeitung 15 November 2024
“Kristina Mkhitaryan performs the well-known aria in which Manon Lescaut bids farewell to the tiny table of her small Parisian studio very tenderly and touchingly. She also impresses with her flexible and clean soprano voice and flawless top notes at the Wiener Staatsoper in the revival of Jules Massenet’s Manon.”
Kurier 15 November 2024
“Kristina Mkhitaryan, who performed with excellent, blossoming high notes, was more than praiseworthy.”
Der Opernfreund 27 November 2024

Eugene Onegin
Royal Opera House Sep 2024

“Mkhitaryan is vocally stunning, with a full, fearless and luminous upper register.”
The Arts Desk 25 September 2024
“Kristina Mkhitaryan is the Tatyana of one’s dreams, displaying a gloriously lyrical soprano, but with a Slavic glint to the tone where required. Her ‘Letter Scene’ was an outpouring of unbridled passion, holding the audience enthralled, and she chartered the character’s development, from a dreamy girl deeply in love with Onegin to a mature woman who knew her own mind, faultlessly.”
Music OMH 24 September 2024
“Kristina Mkhitaryan’s outstanding Tatyana sung with passion, touching sincerity and a burnished soprano. Her Letter Scene was gloriously sung, particularly the hushed lines ‘Who are you? My guardian angel or a wily tempter?’, in duet with solo French horn.”
Gramophone 25 September 2024
“Russian soprano Kristina Mkhitaryan is a completely charming Tatyana, growing through the role from tender teenager to gracious princess.”
The Guardian 28 September 2024
“Mkhitaryan’s Tatyana, meanwhile, captures her character development perfectly. Both the introverted, shy Tatyana from the opera and the later incarnation who sacrificed desire for stability are represented stupendously well with some cunning acting and a beautiful voice that melts the heart, specifically during the letter scene.”
Broadway World 30 September 2024
“Some of the key passages are sung right up next to the proscenium, which allows for some daringly quiet singing from Mkhitaryan’s gleaming, expressive Tatyana and Liparit Avetisyan’s forthright yet nuanced Lensky, the two standout performers in a strong cast.”
The Armenian Mirror Spectator 03 October 2024

Song Series (Rachmaninov)
Wigmore Hall Jan 2024

“Mkhitaryan’s voice is gorgeously rich and creamy throughout her range from the throbbing chest notes in Ippolitov-Ivanov’s ‘Do not leave me without saying farewell’ to the floated notes above the stave (Rachmaninov’s ‘They answered’ and ‘Here it’s so fine’).”
Barry Creasy, MusicOMH 18 January 2024

La Boheme (Puccini)
Metropolitan Opera, New York Jan 2024

“Mkhitaryan has a voice as fiery and attention-grabbing as the character she embodied. All attention was on her Musetta as she flirted outrageously to recapture Marcello’s heart at the Café Momus. Her glamour and theatrics, however, were just secondary to the captivating beauty of her voice.”

Rick Perdian, Seen and Heard International 07 January 2024

Turandot
Wiener Staatsoper Dec 2023 - Dec 2023

“Among the many role debutants, the Russian Kristina Mkhitaryan is a touching Liù.”
Karl-Heinz Roschitz, Kronen Zeitung 09 December 2023
“Also masterful: Kristina Mikhitaryan as Liù with brilliant highs and devotedly suffering charisma.”
Oliver Bernhardt, Klassik 09 December 2023
“Vocally strong environment: Kristina Mkhitaryan (as Liù) in particular impresses with her clarity and presence.”
Ljubiša Tošić, Der Standard 09 December 2023

La Traviata
Royal Opera House, London Jul 2023

“Kristina Mkhitaryan handled Violetta’s drama and vulnerability with tremendous amounts of care, from the very first moment we see her… ‘Sempre libera’ showed off every sumptuous corner of her voice and she didn’t let the complexity of the coloratura overshadow her expressiveness and depth of tone… ‘Addio del passato’ was spun like silk yet had a knife-like clarity in some daring pianissimo moments.”
Lauren McQuistin, Gramophone 13 July 2023
“Kristina Mkhitaryan is stunning as Violetta, whether using her powerful but warm voice to convey the joy of the party-girl when we first meet her or the misery of losing her love and then her life. Her ability to convey such a wide range of emotions so convincingly, especially in the final scene, shows that her glorious voice is matched by outstanding acting ability.”
William Hartston, Daily Express 13 July 2023
“Kristina Mkhitaryan, who takes the role of the heroine in this revival, makes clear that it is more than merely winsome charm. While presenting an appealing and graceful character, she displays plenty of spirit, with flashes of ironic humour and even anger. By the final act – essentially an extended and eventful death scene – her acting achieves an expressionistic intensity. Her voice, always flexible and nuanced in this long and demanding role, is characterised more by rich, mellow colours than steeliness or glitter, even in the coloratura of the famous showpiece that closes the first act.”
Yehuda Shapiro, The Stage 12 July 2023

Maria Stuarda
Dutch National Opera, Amsterdam May 2023

“Kristina Mkhitaryan was phenomenal in the title role. Her voice soared and swooped through melodies in a way that transported one almost to an out-of-body experience.”
David Karlin, Bachtrack 08 May 2023
“The roles of the two rivals are formidably defended by Kristina Mkhitaryan (Maria Stuarda) and Aigul Akhmetshina (Elisabetta). The first is immediately moving in its opening aria, Oh, nube! che lieve per l’aria ti aggiri , where she reminisces about her young and happy years, before rising in fury towards the famous conclusion of Act I and the insulting words against Elisabetta, “Figlia impura di Bolena , parli tu di disonore?… Profanato è il soglio inglese, vil bastarda, dal tuo piè! “. The timbre is rich and the musicality assured, leading to the long final scene, Deh! you di un umile preghiera , full of emotion.”
Irma Foletti, Anaclase 21 May 2023

Les Pêcheurs de perles
Grand Théâtre de Genève Dec 2021

“Above all, the Leïla of the Russian Kristina Mkhitaryan triumphs, a soprano with a fleshy and smiling medium, whose vocals climb gracefully to the stratosphere, not avoiding a few accents of rage during her clashes with the baritone.”
Emmanuel Dupuy, Diapason 20 December 2021

Les Indes galantes
Grand Théâtre de Genève Dec 2019

“Kristina Mkhitaryan’s Hebe has a well-controlled and consistent voice, particularly apt for embellishment, and impeccable diction. It is she who has perhaps the most flattering role and she comes out with all due honours.”
Guy Cherqui, Wanderer 18 December 2019
“A lovely engagement too for Kristina Mkhitaryan who brings to her roles, Hebe/Zima, a new emotional depth – delectable.”
Ernst van Beck, Classique News 17 December 2019
“The cast is equally excellent, with a special mention for Russian soprano Kristina Mkhitaryan (Hebe, Emilie, Zima), omnipresent on stage, who projects a voice that is both fleshy and fruity, with a communicative scenic energy to boot.”
Emmanuel Andrieu, Opera Online 30 December 2019
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